Posts Tagged ‘The Kenyon Review Writers Workshop’

5 Summer Workshops with Upcoming Deadlines

Spring is nigh, and with it comes deadlines for the prestigious and exciting Summer Writers Workshops. Nothing beats these idyllic summer camps for writers, with workshops, lectures, and distinguished guests. We’ve compiled a list of five of the country’s best workshops with deadlines coming up in the next few months. Even better, they all offer scholarships and financial aid. So go ahead: mark your calendars, and get to it.

Sewanee

General Info: The conference is held each summer on the campus of Sewanee: The University of the South. Thanks to the generosity of the Walter E. Dakin Memorial Fund, supported by the estate of Tennessee Williams, the conference subsidizes every writer’s cost of attendance. Days at Sewanee are made up of workshops, craft lectures, and readings. Among the members of this year’s lustrous faculty are Jill McCorkle, Alice McDermott, Charles Martin, Mary Jo Salter and Dan O’Brien. Many literary agents and publishing professionals come to Sewanee each year.

Location: The University of the South, Sewanee, Tennessee

Workshops Offered: fiction, poetry, playwriting

Deadline: April 17

Cost: $1,800 ($1,100 tuition; $700 for room & board. Financial aid available.)

Dates: July 18 – 30

What Makes It Different: “Enjoying what one contemporary poet has called Sewanee’s ‘remoteness without cultural dislocation,’ the Sewanee Writers’ Conference gathers a distinguished faculty to provide instruction and criticism through workshops and craft lectures in poetry, fiction, and playwriting.” – Adam Latham, Admissions and Creative Writing Administrator Sewanee Writers Workshop

For more details, click here.

The Kenyon Review Writers Workshop

General Info: The focus here is truly on the workshop itself. Classes emphasize collaboration and new work, which writers will often generate in class. Faculty include Joanna Klink, Rebecca McClanahan, and Lee K. Abbott. There are evening readings by instructors, participants, and visiting writers.

Location: Kenyon College, Gambier, OH

Workshops Offered: fiction, literary nonfiction, poetry, nature writing, translations, and writers workshop for teachers.

Deadlines: rolling admissions for workshops (early applications encouraged); May 15 deadline for tuition payment.

Cost: $2,295 for Sessions I and III; $1,495 for Session II.

Dates: Session I: June 17-24 (fiction, literary nonfiction, poetry); Session II: July 8-13 (workshop for teachers); Session III: July 8-15 (fiction, literary nonfiction, poetry, nature writing, translation)

What Makes It Different: “You’ll find the Writers Workshop intensely creative, pushing you beyond what you thought you were capable of achieving — you eat, sleep, drink, and breathe writing.” – Tory Weber, Associate Director of Programs

Apply here.

Tin House Summer Writers Workshop

General Info: Like Tin House Magazine and Tin House Books, this week-long workshop is on the cutting edge of today’s literary scene. It consists of intimate morning workshops, along with craft seminars, career panels, readings, and parties. It is held on the campus of Reed College in southeast Portland, OR. We might be biased, but we can’t imagine a better place for a writers conference. You’ll be just a bus ride away from Powell’s, the world’s largest independent bookstore. This year’s faculty includes Kelly Link, Mary Ruefle, Joshua Ferris and Aimee Bender!

Location: Reed College, Portland, OR

Workshops Offered: fiction, nonfiction, poetry

Deadline: May 1 application deadline; March 27 scholarship deadline

Cost: $1,200 for tuition; $600 for room & board; $300 for audit.

Dates: July 9-16

What Makes It Different: “I think one of the immediate things that stands out when you come to the Tin House Summer Writer’s Workshop is a lack of hierarchy. We don’t single out our scholarship winners, who has/hasn’t been published, MFA/non-MFA students. And this attitude extends to our faculty, who eat, drink, and live on campus with our participants. This sort of environment helps foster a belief that the work is the most important thing, no matter if you are a National Book Award winner or someone who is attempting to craft your first story…. Our motto is that we take writing seriously, but not ourselves, which is why you will also get killer karaoke, some pyrotechnics, and a ripping dance night in addition to some of the amazing lectures, readings, and workshop critiques during your week at Tin House.” – Lance Cleland, Director

Check out the details.

(more…)