Fiction. Essays. Edits. Experts.

Participants receive personalized feedback on a story or essay, detailed suggestions for improvement, and resources for submittingall from an experienced instructor. The asynchronous workshop allows writers to work with instructors remotely and strives to provide a workshop experience that can easily fit into their lives. Enrollment begins August 1, 2021.

Cost: $299

//Registration Opens August 1st//



Participants Receive:

  • an editorial letter from your instructor with specific suggestions and developmental edits that will help elevate your story to the next level
  • PDF of materials including craft essays from The Masters Review, editorial notes on what we see from the slush pile, information on submission strategies, and additional advice on submitting
  • free submission in a forthcoming Masters Review contest
  • suggestions on literary magazines and contests that would be a good fit for your work, along with reading recommendations from your instructor
  • an archived copy of The Masters Review anthology
  • Writers will receive feedback no later than September 30. Early submissions may yield earlier feedback.

Lauren Kane is the assistant editor at The Paris Review.

Halimah Marcus is the Executive Director of Electric Literature, an innovative digital publisher based in Brooklyn, and the Editor-in-Chief of its weekly fiction magazine, Recommended Reading. She is also the editor of Horse Girls, an anthology that reclaims and recasts the horse girl stereotype. Her short stories have appeared in Amazon Original Indiana Review, Gulf Coast, One Story, BOMB, The Literary Review, and The Southampton Review. Halimah has an MFA from Brooklyn College, and lives in the Catskill region of New York.

Autumn Watts is a fiction editor for Guernica Magazine. Her writing has been published in The Craft of Editing, Guernica, Words Beyond Borders, AGNI, Indiana Review, and Desert Voices, among others; chosen as a “Notable Essay” in Best American Essays 2019; and selected for Best New Poets and the Wigleaf Top 50 (Very) Short Fictions. She lives in Nevada and Turkey.

Jenny Tinghui Zhang’s fiction and nonfiction have appeared in Apogee, Ninth Letter, Passages North, The Rumpus, HuffPost, The Cut, Catapult, and elsewhere. She holds an MFA from the University of Wyoming and has received support from Kundiman, Tin House, and VONA/Voices. Her debut novel Four Treasures of the Sky will be published by Flatiron Books in April 2022.

Jules Hogan is a writer from the blue ridge mountains and current Fiction Meets Science fellow at the Hanse-Wissenschaftskolleg in Germany. They are the fiction editor for Hayden’s Ferry Review and a fiction reader for Split Lip Magazine. Jules’s work can be found in Pithead Chapel, Best Small Fiction 2021, Everything Change Climate Anthology, and other places. Visit them online @seektheyonder.



Praise for The Masters Review’s Editorial Feedback

“I workshopped two stories with you/The Masters Review last year, and I wanted to let you know that revised versions of those stories helped me earn an acceptance to the University of Arizona, where I’ll be an MFA candidate in fiction this fall. Thank you so much for your feedback and for running such a wonderfully supportive publication and platform for emerging writers. ” Josh, Summer Workshop

“I found the comments made by Adeena Reitberger regarding my story to be hugely helpful. Once again I am very pleased with your summer workshop.” Abby, Summer Workshop

“Thank you so much for the feedback letter plus manuscript markups. I couldn’t be more thrilled. I can’t remember ever having an editor look at my work and so clearly understand what I’ve tried to convey on the page. I had the immediate sense that Nate had truly given my story a thorough read, making his compliments feel sincere and suggestions for improvement feel well worth considering from start to finish.” Royce, Summer Workshop

“Adeena’s comments are both incisive and insightful. It is one of the best critiques I have ever received, and it will serve as my guide when I revise. I agree completely with what she said.” John, Summer Workshop

“You’ve done it again, everyone! What a brilliant workshop! Thank you so much for the incredible opportunity to work with you and Adeena Reitberger. I can put each of her comments to work immediately (even the compliments I guess I fished for, ha-ha!, as mood boosters), read/re-read the stories/writers she’s recommended, and order samples of the journals she’s recommended as a fit for my story so I can sniff them out—the prospects of which has got me doing a jig in the living room (try not to picture someone more jiggle than jig), and excited about my next editing move with my story (dip or dive?—but not abandon, hallelujah!)… True brilliance.!” Meredith, Summer Workshop

“I wanted to thank you for passing along Lauren’s feedback on my story. I thought her comments were concise and specific, and I appreciated her efforts to excavate what’s at the core of the story I’m trying to tell. I have some work ahead of me, for sure, but that’s a good thing. I agree with Lauren’s assessment of where the piece is falling short, I have a clear path to revision, and I’m overall very grateful for her astute observations and careful attention. Many thanks again!” Nicole, Summer Workshop

“I would like to thank Michelle Wildgen for her very helpful comments. She made the effort to understand what I was attempting to do with my short story, and pointed out quite clearly where it fell short and how it could be improved. Her feedback was professional, specific, and, to my great appreciation, positive. I am eager to get back to work.” Gary, Summer Workshop